Dressed in Black: A Tribute to Johnny Cash

The last half decade has seen an explosion of Johnny Cash tribute albums. Leading the pack in 2002 was this indie-country oriented set produced by BR549's Chuck Mead. This compilation, probably due to its house band of Chuck Mead on guitar and Dave Roe on bass, flows together remarkably well considering the breadth of music included: the psychobilly of Rev. Horton Heat and the punk-country of Hank III and J.D. Wilkes of the Shack*Shakers as well as the Dale Watson's honky tonking and Bruce Robison and Kelly Willis's Americana.

This album has a general sense of sincerity and comfortableness that isn't exhibited in tributes (such as the Marty Stuart-produced Kindred Spirits) featuring better-known performers some of whom seem as if they are coming to the material for the first time. This album also gives some much needed attention to several people, such as Earl Poole Ball, Redd Volkaert, and Kenny Vaughan, who are better known as sidemen or backing musicians, allowing them to step up into the spotlight.

Listen:
Bruce Robison and Kelly Willis - Pack Up Your Sorrows
Damon Bramblett - I'm Gonna Sit on the Porch and Pick on My Old Guitar

Buy:
From Dualtone
From Amazon

Three previews from Bloodshot

Veering for once from my normal album-centered reviews, today I'm going to post three songs that Bloodshot Records sent out to audioblog types from upcoming albums of theirs.

Wayne Hancock's new album Tulsa drops October 10. I'm a big fan of his. I reviewed a live album of his here. I'm really looking forward to hearing this whole disc.

Listen:
Wayne Hancock - Shootin' Star From Texas

The Wee Hairy Beasties' album Animal Crackers comes out on October 24. This Bloodshot supergroup of Jon Lanford, Sally Timms, Kelly Hogan, with backing by Devil in a Woodpile sings kids songs.

Listen:
Wee Hairy Beasties - Toenail Moon

Also out October 24 is the Bloodshot tribute to the Old Town School of Folk Music. For the Kids: The Old Town School of Folk Music Songbook features most notably Jon Langford and Robbie Fulks and many others singing songs that fit under the general category of standards.

Listen:
Robbie Fulks - Browns Ferry Blues

Hope to have a real post up soon!

Caught in the Webb: A Tribute to the Legendary Webb Pierce

To be honest, before I picked up this tribute album, I didn't really know that much about Webb Pierce. I'm not sure I could have named more than a couple songs of his. "There Stands the Glass" was his one really big hit, and BR549 covered "Honky Tonk Song." But somehow I know most of the songs on this CD. I guess he was a bit more prolific than I knew and is well remembered by classic country radio.

This is a remarkably successful tribute album. Like many country tribute albums, this one has a house band, led here by Kenny Vaughan, that gives a unifying sound. The individual needs of the singers aren't ignored, though; the band is able to adjust according to the style of each guest. The contributions from Emmylou Harris, Dwight Yoakam, Dale Watson, and Willie Nelson, all highly distinctive artists, fit well within their individual bodies of work.

Being such an even album, there isn't one obvious stand out track. I'm going to post the contribution from the disc's producer, Gail Davies.

Also, the proceeds from this album go to the Minnie Pearl Cancer Foundation and the Country Music Hall of Fame.

Listen:
Gail Davies - Love Love Love

Buy:
From the Minnie Pearl Cancer Foundation
From Amazon

The Pine Valley Cosmonauts - The Executioner's Last Song

I just heard a piece on NPR today about North Carolina's new Innocence Inquiry Commission which got me thinking about this CD. I actually got this several months ago during Bloodshot's spring cleaning sale, but it got lost in the mess of my car. Well I dug it out and gave it another listen.

Although billed as by the Pine Valley Cosmonauts, this is in reality a compilation album. The Cosmonauts serve as house band for the project, but every song is credited to a guest performer. The song selection is probably about the most morbid of any album I have (even more so than American V), but mostly in a humorous way, if you can be humorous about death, seeking, as the cover says, "consign songs of murder, mob-law & cruel, cruel punishment to the realm of myth, memory & history!!"

The proceeds to this album benefit the Illinois Death Penalty Moratorium Project, which I don't think exists anymore. I think maybe it goes to the Illinois Coalition Against the Death Penalty. It may have dropped out of the news, but the moratorium is still in effect, leaving the death penalty in Illinois in a strange limbo, as it still exists de jure and several people have been sentenced since the moratorium, but it cannot be carried out. The fate of the Moratorium probably rests in the hands of the voters in the upcoming gubernatorial election.

Anyways, this album is quite enjoyable considering the weighty topic. I know we've all laughed at the Louvins' "Knoxville Girl," which is the lead off track, here performed by Brett Sparks. And we laughed through most of this album, as maybe we should, at the sheer absurdity of it. Not that there aren't serious songs here, such as "Oh Death" by Diane Izzo or "Idiot Whistle," with Tony Fitzpatrick giving a very serious recitation about the politics behind the continuation of the death penalty.

Listen:
The Pine Valley Cosmonauts w/ Frankie & Johnny Navin - 25 Minutes to Go

Buy:
From Bloodshot
From Amazon

Texas Unplugged Vol. 2

This is the second volume in the Palo Duro series of acoustic albums from their stable of Texas musicians. Included are the Derailers, Dale Watson, Johnny Bush, and Two Tons of Steel. This albums serves as both an introduction to the label as well as a look into Texas music in a particular style. The low-key, but not quite "stripped down", nature of the acoustic constraint gives a little more prominence to the songwriting in most cases, although Cindy Cashdollar and Carolyn Wonderland supply a wonderful Dobro/Guitar duet instrumental.

Of the twelve contributors to this album, only the Derailers and Watson are already in my CD collection. Their contributions are pretty close to the nature of their regular, electric work. I'm not sure about the rest of the people, though. I was a big fan of the MTV Unplugged years ago, but those performances often had little to do with the studio albums of the groups. Nirvana's MTV Unplugged in New York (their only listenable album, to me) is practically an alt-country album, quite different from their studio work or normal performances.

I am interested in following up on some of the groups on this CD. Two Tons of Steel has been on my wish list for a while, and the Sidehill Gougers sound very promising.

Listen:
The Sidehill Gougers - One Tiny Sin

Buy:
From Palo Duro
From Amazon

Roots Music: An American Journey

A couple weeks ago my dad gave me this Rounder compilation out of the blue.

I had him proofread some stuff a few months ago for my grad school application in which I mentioned "roots" music and he asked me to explain what that meant. I actually had a really hard time. It was easy to list constituent genres: folk, country, blues, etc., but I couldn't give a definition that included the right stuff but also excluded the rest. He asked if Johnny Cash was roots music and I said I guess he was. Then he asked about the Statler Brothers, of whom he is a fan, and I didn't know what to say. Definitely not anything recent of theirs, but maybe their early stuff is. In the end I had to paraphrase Justice Potter Stewart: I can't define it, but I know it when I hear it.

Anyways, he saw this four-disc box set at Barnes & Noble and got it for me.

It's a fairly good round-up of the most prominent genres/styles (or whatever you want to call them) that can be clumped under the term "roots" as well as a few tracks from lesser-know genres/styles. The set is a little heavy on stringband/old-time/bluegrass, but cajun & zydeco, a variety of Mexican-Americans styles, and a broad range of the blues also receive good-sized representation. The first two discs are meant to be an overview of "hard-core traditional styles" and the last two "roots-derived music and interpreters of folk traditions." I'd argue with their placement of several tracks, but overall I can see this organizing pattern.

There are also tracks from a bunch of places that don't fit that well into one of these larger groups: one Hawaiian song, one Mardi Gras Indian song, one New Orleans brass band song, one klezmer song. There are also some holes. Shape note singing and sacred steel have both been gaining popularity recently, but aren't included. Overall, though, I think that this is a pretty good overview when you consider that it is all taken from the catalogue of one record label.

In the coming months you might see some records by some of the folks in this set appear here as I explore their other work.

Listen:
Rebirth Brass Band - Just a Little While to Stay Here

Buy:
From Rounder
From Amazon

Making Singles Drinking Doubles

My local used records store, Love Garden, is very country, bluegrass, roots, etc. friendly (I suppose a mandolin playing owner doesn't hurt) and just about every time I go in I find some treasure waiting in the bins to be bought by me.

Not too long ago, I was fortunate enough to find Making Singles Drinking Doubles, the 2002 Bloodshot Records compilation commemorating their 100th release. The disc includes the usual suspects at Bloodshot, the Waco Brothers, The Meat Purveyors, Rex Hobart, and Moonshine Willy, but also includes two tracks featuring a pre-national fame Jack White backing soul legend Andre Williams.

Listen:
Andre Williams & 2 Star Tabernacle - Lily White Mama & Jet Black Daddy.mp3

Buy:
From Bloodshot
From Amazon