The Jones Street Boys - Overcome

I got a song off this album from another blog (S:I?) a few months ago and couldn’t stop playing it. That song, “Last Time,” showed the Jones Street Boys as a promising string band willing to incorporate accent instruments such as piano, harmonica, and traps drums. When they sent me their disc last month, I was not disappointed. But their record shows a greater stylistic range than I was expecting. They keep their record centered on the New York-style string-band sound, but they foreground harmonica, piano, organ, and other keyboard instruments on a few tracks. This album comfortably inhabits the uneasy middle ground between string-band revivalism, insurgent country, adult alternative acoustic, and hipster folk. The other stand-out track on the disc is a cover of the Band’s “Twilight.”

Listen:
The Jones Street Boys - Last Time
The Jones Street Boys - Twilight

Buy:
From Insound
From Amazon

Corb Lund - Horse Soldier! Horse Soldier!

Corb Lund is obsessed with horses. I’m not sure if every song on this album mentions them, but even “Student Visas,” a haunting song about a US soldier’s experience as a CIA aide to the Nicaraguan Contras, calls upon the soldier’s family heritage in the cavalry, connecting his injury in a shot-down helicopter to the helicopter’s replacement of the horse in some US Army cavalry units. But the horse theme, or perhaps more specifically a cavalry theme, runs throughout the disc.



I don’t know Corb Lund’s personal history with horses—whether he’s a horseman or not—and I’m not trying to question his “authenticity” if he isn’t. His songwriting shows a longing for the the history and freedom symbolized by the horse that I, as someone who cannot ride and wishes he could, find compelling. “Whenever I see horses, it reminds me of what I ain’t. . . . Whenever I see horses, I see a path I did not take.”



Listen:

Corb Lund - Horse Soldier, Horse Soldier



Watch:

Corb Lund - I Wanna Be In The Cavalry



Buy:

From CD Baby

Yarn - Yarn

A couple months ago while vacationing in New York City, I just happened to get an email promoting New York alt-country band Yarn's debut album the morning of their CD release show as the Lakeside Lounge, which I had been thinking about attending. I ended up not being able to make the show, even though it was a scant block and a half from where I was staying, but I was fortunate enough to have a CD waiting in my mailbox when I made it back to Kansas.

Led by local roots-rocker Blake Christiana, of Blake and the Family Dog, Yarn takes a primarily acoustic approach to the Brooklyn Americana sound, focused on songwriting and underlaid with sharp guitar and mandolin work and occasional steel, Dobro, and fiddle/violin.

Listen:
Yarn - Madeline

Buy:
From CD Baby

Dressed in Black: A Tribute to Johnny Cash

The last half decade has seen an explosion of Johnny Cash tribute albums. Leading the pack in 2002 was this indie-country oriented set produced by BR549's Chuck Mead. This compilation, probably due to its house band of Chuck Mead on guitar and Dave Roe on bass, flows together remarkably well considering the breadth of music included: the psychobilly of Rev. Horton Heat and the punk-country of Hank III and J.D. Wilkes of the Shack*Shakers as well as the Dale Watson's honky tonking and Bruce Robison and Kelly Willis's Americana.

This album has a general sense of sincerity and comfortableness that isn't exhibited in tributes (such as the Marty Stuart-produced Kindred Spirits) featuring better-known performers some of whom seem as if they are coming to the material for the first time. This album also gives some much needed attention to several people, such as Earl Poole Ball, Redd Volkaert, and Kenny Vaughan, who are better known as sidemen or backing musicians, allowing them to step up into the spotlight.

Listen:
Bruce Robison and Kelly Willis - Pack Up Your Sorrows
Damon Bramblett - I'm Gonna Sit on the Porch and Pick on My Old Guitar

Buy:
From Dualtone
From Amazon

Loomer - Songs of the Wild West Island

Canadian indie-rock/alt-country band Loomer released their sophomore album last fall. I've been listening to it in my car for a while and I've been quite taken by the way they combine the often disparate sub-genres of country music. Instead of focusing on cross-generic synthesis like some indie-roots bands (the proliferation of country/soul around these days, for example), Loomer creates an intra-generic synthesis of Americana, honky-tonk, Uncle Tupelo-style alt-country, and old time. Featuring sweet pedal steel, baritone guitar, banjo, and a combination of sweet harmonies and rough vocals, this album highlights the best sounds from these often separated strands of country music.

Listen:
Loomer - Endless Holiday
Loomer - Anastasia (Live BBC Session)

Buy:
From Miles of Music
From Amazon

Top 10 of 2006, Part 3

Today we finish up the sample songs off my favorite albums of the year. My top two are perhaps the least well-known releases on this list, but don't think that I upped their placement just to have an unconventional top pick. I actually feel that these two albums are the best I've heard this year, surpassing the better-known and more-respected musicians who are below them on the list or not present at all.

3. Kris Kristofferson - This Old Road

Listen:
Kris Kristofferson - Pilgrim's Progress

Buy:
From Amazon

2. Bob Wayne and the Outlaw Carnies - Blood to Dust

Listen:
Bob Wayne and the Outlaw Carnies - 27 Years

Buy:
From Bob Wayne

1. Scott H. Biram - Graveyard Shift

Listen:
Scott H. Biram - Been Down Too Long

Buy:
From Bloodshot
From Amazon

Hem - Funnel Cloud

Hem is one of the few bands that is productively mining the intersection of country, folk, adult alternative, and indie-rock. They call their music "countrypolitan," and they do draw heavily on Nashville Sound-era country-pop, but I find that they reference a much wider range of pop musics.

I think that Hem might just be the epitome of the new "Americana" classification. They are a group that is too pop to fit comfortably as alt-country, yet too country to really make it onto pop radio. They also have much more lush and orchestrated arrangements than one normally finds in modern folk, although the singing style would certainly fit there.

I'm linking to some streams from their label Nettwerk. The first, "Not California," shows their diverse influence: it opens with Dylan-esque harmonica and ethereal steel guitar coupled with strong female vocals that build in intensity to something from when alternative was on the verge of becoming adult alternative in the mid-1990s.

Listen:
Hem - Not California
Hem - He Came to Meet Me

Buy:
From Amazon

Kris Kristofferson - This Old Road

I saw this album in the used bin at my local record store in late January. I knew it must be pretty new 'cause of its '06 date, but I hadn't heard anything about it so I left it. I figured that if Kris Kristofferson put out a new album I would have heard about it if it was any good. Well, a couple weeks later, he's on the cover of No Depression and everyone's calling this CD his best in decades. Turns out someone had sold their promo copy to my local store even before the this had been released.

Well, it is a great album. Very sparse and atmospheric, yet not vapid as Kristofferson's lyrics come to the front. I could see comparisons to Cash's American Recordings, especially the character of the old voice. The production here, by Don Was, is much less obvious than Rick Rubin's on the American series, though. The songs are mostly rather sparse, with Kristofferson on guitar and harmonica with mandolin, drums, bass, and piano also appearing. The harmonica is rather Dylan-esque and complements Kristofferson's rough voice in a similar manner.

The lyrical content of this album is what you might expect of a lefty during a conservative political swing, particularly "In the News," which responds to the US-led occupation of Iraq as well as problems at home, and "Wild American," an ode to Steve Earle and others who have suffered for vocalizing their political beliefs. But Kristofferson's writing skills haven't lessened over the years and he once again proves his place as one of the great songwriters. He deals subtly with topics that might be approached more clumsily by lesser writers.

Listen:
Kris Kristofferson - Thank You For a Life

Buy:
From Amazon