Dale Watson - Whiskey or God

Sorry for the delay. Two unexpected things about my new schedule. First, without a twenty minute drive to work, I have no built in time to just listen to CDs, and not listening to CDs means not being able to write about them. The other thing is that not working nights anymore, I can go to weeknight concerts (like I just did) which further eats up my time.

Dale Watson released this album several months ago, but I just picked it up last week. It's a strong outing from one of the reigning kings of the honky tonk. Featuring songs he's been playing live for years but that have never made it onto disc, this album has the polish of the studio with the intimacy and emotion of a live recording.

Dale Watson is often grouped with alt-country, but he isn't alternative in the same genre-bending way as, say, the Bloodshot Records stable of artists. He's not particularly interested in combining seemingly disparate genres and examining off the tensions created. Rather, he's interested in making good old country music. Unfortunately, these days that is an alternative to the mainstream. Not to say that he doesn't have a wide range of influences. This album has songs with influences from Cajun, Tex-Mex, and even disco, along with the more expected honky tonk, Bakersfield, and Nashville Sound.

For some of these songs, I can make an educated guess which album they were originally written for. This is particularly true for "My Heart is Yours" and "I Wish I Was Crazy Again," both of which delve into the same agony of love and loss that is featured on Every Song I Write is For You. (Thankfully, these songs don't feature that albums synth strings.) "I Wish I Was Crazy Again" is to me the strongest song on the album. Listen for the subtle trombone on this track.

Listen:
Dale Watson - I Wish I Was Crazy Again

Buy:
From Dale Watson
From Amazon

Texas Unplugged Vol. 2

This is the second volume in the Palo Duro series of acoustic albums from their stable of Texas musicians. Included are the Derailers, Dale Watson, Johnny Bush, and Two Tons of Steel. This albums serves as both an introduction to the label as well as a look into Texas music in a particular style. The low-key, but not quite "stripped down", nature of the acoustic constraint gives a little more prominence to the songwriting in most cases, although Cindy Cashdollar and Carolyn Wonderland supply a wonderful Dobro/Guitar duet instrumental.

Of the twelve contributors to this album, only the Derailers and Watson are already in my CD collection. Their contributions are pretty close to the nature of their regular, electric work. I'm not sure about the rest of the people, though. I was a big fan of the MTV Unplugged years ago, but those performances often had little to do with the studio albums of the groups. Nirvana's MTV Unplugged in New York (their only listenable album, to me) is practically an alt-country album, quite different from their studio work or normal performances.

I am interested in following up on some of the groups on this CD. Two Tons of Steel has been on my wish list for a while, and the Sidehill Gougers sound very promising.

Listen:
The Sidehill Gougers - One Tiny Sin

Buy:
From Palo Duro
From Amazon

The Derailers - Soldiers of Love

This sixth album by the Derailers, the first since the departure of former frontman Tony Villanueva, is a dramatic turn toward '60s pop music. Former sideman, now leader, Brian Hofeldt, whose pop leanings colored previous releases, leads the band a bit away from their previous Buck Owens-like sound, with much of this record sounding closer to the Beatles' version of "Act Naturally" than to Owens'.

The records start and ends with undeniably country tracks, but the middle dips its toe into several '50s and '60s pop/rock sub-genres. Several songs bring to mind the "mod"-ified rockabilly covers of the early Beatles, while others venture into soul and go-go influenced sounds.

Listen:
The Derailers - Cattin'

Buy:
From Amazon